Horror film.
A horror film is a film that seeks to elicit a physiological reaction, such as an elevated heartbeat, through the use of fear and shocking one’s audiences. Initially often inspired by literature from authors like Edgar Allan Poe, Bram Stoker, and Mary Shelley, horror has existed as a film genre for more than one century. The macabre and the supernatural are frequent themes. Horror may also overlap with the fantasy, supernatural, and thriller genres.
Horror films often aim to evoke viewers' nightmares, fears, revulsions and terror of the unknown. Plots within the horror genre often involve the intrusion of an evil force, event, or personage into the everyday world. Prevalent elements include ghosts, extraterrestrials, vampires, werewolves, demons, satanism, evil clowns, gore, torture, vicious animals, evil witches, monsters, zombies, cannibalism, psychopaths, natural or man-made disasters, and serial killers.
Some subgenres of horror film include action horror, comedy horror, body horror, disaster horror, holiday horror, horror drama, psychological horror, science fiction horror, slasher horror, supernatural horror, gothic horror, natural horror, zombie horror, first-person horror, and teen horror.
Influences internationally.While horror is only one genre of film, the influence it presents to the international community is large. Horror movies tend to be a vessel for showing eras of audiences issues across the globe visually and in the most effective manner. Jeanne Hall, a film theorist, agrees with the use of horror films in easing the process of understanding issues by making use of their optical elements. The use of horror films to help audiences understand international prior historical events occurs, for example, to show the horridness of the Vietnam War, the Holocaust and the worldwide AIDS epidemic. However, horror movies do not always present positive endings. In fact, in many occurrences the manipulation of horror presents cultural definitions that are not accurate, yet set an example to which a person relates to that specific cultural from then on in their life.
The visual interpretations of films can be lost in the translation of their elements from one culture to another like in the adaptation of the Japanese film Ju on into the American film The Grudge. The cultural components from Japan were slowly "siphoned away" to make the film more relatable to a western audience. This deterioration that can occur in an international remake happens by over-presenting negative cultural assumptions that, as time passes, sets a common ideal about that particular culture in each individual. Holm's discussion of The Grudge remakes presents this idea by stating, "It is, instead, to note that The Grudge films make use of an un-theorized notion of Japan... that seek to directly represent the country."
A horror film is a film that seeks to elicit a physiological reaction, such as an elevated heartbeat, through the use of fear and shocking one’s audiences. Initially often inspired by literature from authors like Edgar Allan Poe, Bram Stoker, and Mary Shelley, horror has existed as a film genre for more than one century. The macabre and the supernatural are frequent themes. Horror may also overlap with the fantasy, supernatural, and thriller genres.
Horror films often aim to evoke viewers' nightmares, fears, revulsions and terror of the unknown. Plots within the horror genre often involve the intrusion of an evil force, event, or personage into the everyday world. Prevalent elements include ghosts, extraterrestrials, vampires, werewolves, demons, satanism, evil clowns, gore, torture, vicious animals, evil witches, monsters, zombies, cannibalism, psychopaths, natural or man-made disasters, and serial killers.
Some subgenres of horror film include action horror, comedy horror, body horror, disaster horror, holiday horror, horror drama, psychological horror, science fiction horror, slasher horror, supernatural horror, gothic horror, natural horror, zombie horror, first-person horror, and teen horror.
Influences internationally.While horror is only one genre of film, the influence it presents to the international community is large. Horror movies tend to be a vessel for showing eras of audiences issues across the globe visually and in the most effective manner. Jeanne Hall, a film theorist, agrees with the use of horror films in easing the process of understanding issues by making use of their optical elements. The use of horror films to help audiences understand international prior historical events occurs, for example, to show the horridness of the Vietnam War, the Holocaust and the worldwide AIDS epidemic. However, horror movies do not always present positive endings. In fact, in many occurrences the manipulation of horror presents cultural definitions that are not accurate, yet set an example to which a person relates to that specific cultural from then on in their life.
The visual interpretations of films can be lost in the translation of their elements from one culture to another like in the adaptation of the Japanese film Ju on into the American film The Grudge. The cultural components from Japan were slowly "siphoned away" to make the film more relatable to a western audience. This deterioration that can occur in an international remake happens by over-presenting negative cultural assumptions that, as time passes, sets a common ideal about that particular culture in each individual. Holm's discussion of The Grudge remakes presents this idea by stating, "It is, instead, to note that The Grudge films make use of an un-theorized notion of Japan... that seek to directly represent the country."
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